Skip to main content

CLOSED TODAY

The Architecture of Collage: Marshall Brown

MB Long

Marshall Brown in his studio with Map of Berlin, ca. 1800-1690, 2022. Collage on gessoed board. Courtesy of the artist and Western Exhibitions. 

3 Chimera PL9 Marshall Brown 14-7-27 3

Marshall Brown, Chimera 14-09-23, 2014. Collaged magazine pages, glue on archival paper. Santa Barbara Museum of Art, Museum Purchase with funds provided by the General Art Acquisition Fund, 2022.8.5 Copyright 2022, Marshall Brown Projects

3 Chimera PL9 Marshall Brown 14-7-27 web

Marshall Brown, Chimera 14-07-27, 2014. Collaged magazine pages, glue on archival paper. Museum of Contemporary Photography at Columbia College Chicago, Museum purchase, 2018:8 Copyright 2022, Marshall Brown Projects

8 Prisons of Invention PL33 Marshall Brown PANTHEONlongsmall

Marshall Brown, Pantheon, 2020. Collage on archival paper. SBMA, Museum purchase,
General Acquisition Fund, 2022.8.1 ©Marshall Brown Projects

MB Long
3 Chimera PL9 Marshall Brown 14-7-27 3
3 Chimera PL9 Marshall Brown 14-7-27 web
8 Prisons of Invention PL33 Marshall Brown PANTHEONlongsmall

The Architecture of Collage is Marshall Brown’s first solo museum exhibition and most comprehensive presentation of his collages to date. There are twenty-five artworks in the exhibition, including loans from the Art Institute of Chicago and the Museum of Contemporary Photography, Chicago. Two of the most recent collage series, Prisons of Invention and Maps of Berlin, will premiere at the Santa Barbara Museum of Art.

Brown cuts out photographs of buildings and reassembles them into levitating structures that hover between reality and fiction. He calls them chimeras after the lion-goat-snake creature of Greek mythology. Like the monster, whose parts were taken from existing animals, the parts of these collages are taken from actual buildings but when combined form something new. They are physical proof that borrowing and recombination can yield strikingly original results and achieve what contemporary art often does so well: suggest that the world could be different than what it is without specifying what that might concretely be.