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11 am – 5 pm

Sea of Ice: Echoes of the European Romantic Era

monochromatic photo of sea ice breaking

James Casebere, Sea of Ice, 2014. Pigment print. SBMA, Museum purchase with funds provided by the Erik Skipsey Fund, 2019.15

bold painting of a snow covered mountain against a blue and cloud filled sky

Marsden Hartley, Alpspitze-Mittenwald Road, ca. winter 1933–1934. Oil on paper board. SBMA, Gift of Mrs. Sterling Morton to the Preston Morton Collection, 1960.61.

photo of a portrait miniature of a young gentlemen wearing timely garb of the 1830s

Artist unknown, Portrait Miniature of a Gentleman (Possibly of the poet Chatterton), c. 1835–1840. Watercolor on ivory. SBMA, Gift of Timothy A. Eaton, 2024.1.1.

painting of a sea scape at sunset with large sailboats in profile as the focal point

Francis Augustus Silva, Sunset of City Island, ca. 1880. Oil on canvas. SBMA, Museum purchase, The Dicken Fund in memory of Emily Rodgers Davis, 1988.52.

monochromatic photo of sea ice breaking
bold painting of a snow covered mountain against a blue and cloud filled sky
photo of a portrait miniature of a young gentlemen wearing timely garb of the 1830s
painting of a sea scape at sunset with large sailboats in profile as the focal point

This exhibition centers on the SBMA’s James Casebere photograph, Sea of Ice (2014). Casebere based his work on German artist Caspar David Friedrich’s (1774–1840) painting of the same name from 1823–24, famous since its debut for its riveting vision of an Arctic naval disaster.

Reacting against the 18th century’s championing of science and reason, early 19th-century Romantic writers and artists sought to capture the intensity and worth of individual experience, often with grand depictions of awe-inspiring nature. Today, we encounter a similar predicament the Romantics faced: in our age of climate change and technological development, how do we represent nature and our precarious relationship to it?

Sea of Ice includes a variety of paintings, photographs, prints and drawings from the collection from the 19th to the 21st century, and an important video loan by Austrian artist Lukas Marxt (b. 1983), all of which reflect Romanticism’s revolutionary and lasting importance.