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In Conversation with Artist Joey Terrill

In Conversation with Artist Joey Terrill

painting of a room featuring a table covered in household items and a view of the mountains

Joey Terrill, Still-Life with Triumeq and Wrapped Candies that remind me of the Artist Félix Gonzáles-Torres, 2023. Acrylic, wrapped candies, wallpaper, wood strips, and other mixed media. SBMA, Museum purchase with funds provided by Kandy Budgor; Luria/Budgor Family Foundation. Image courtesy of the Artist and Marc Selwyn Fine Art, Los Angeles. © Joey Terrill.

painting of a person wearing jeans and a white button down in repose on a beach near the shoreline

Joey Terrill, My Last Day in New York, Fire Island–1981, 2015. Acrylic on canvas. Courtesy of the artist and Ortuzar Projects, New York. © Joey Terrill. Photography: Timothy Doyon.

Mary Craig Auditorium

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Artist Joey Terrill joins James Glisson, Chief Curator, SBMA, in conversation to discuss his activism, philosophy and artistic practice. Terrill is a second-generation native Angeleno, whose work combines influences from pop art, Mexican retablos, 20th-century painters like Frida Kahlo, as well as Chicano and queer culture particular to Los Angeles. Recently on display at SBMA in the exhibition Friends and Lovers, his painting Still-Life with Triumeq and Wrapped Candies that Remind Me of the Artist Félix González-Torres (pictured above) comes from an ongoing series of still life paintings that center HIV medications amongst a variety of household items, atop a kitchen table covered in a sarape-a nod to the artist's Mexican heritage. 

Terrill is a longtime AIDS activist and was involved with the AIDS Healthcare Foundation, the Metropolitan Community Church, the Gay Community Center, and the Gay-Ins at Griffith Park in the 1970s.


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"friends and lovers" text in yellow script with a heart over the "i" on a hot pink background