The distinction between the digital and hand-made seems clear cut, but this exhibition examines artworks that blur this distinction. Yassi Mazandi’s torus-shaped sculpture Nine began its life as a hand thrown shape made on a potter’s wheel. It was then scanned, digitally manipulated, and printed.
Exhibitions at SBMA
In addition to a selection of works from its critically acclaimed permanent collection, SBMA also presents temporary loan exhibitions of art from the past and the present.
For information on archived exhibitions please visit the Archives.
This exhibition features all works by Rauschenberg in the Museum’s collection, including two ca. 1950 photographs, most of which are on view for the first time, including the monumental 1968 three-part Autobiography.
Deceptively simple and far removed from the seamless computer generated images seen in commercial filmmaking, these two videos (on view for the first time at SBMA) re-orient the viewing experience into one more intimate, complex and even mysterious.
This exhibition focuses on the Ridley-Tree’s gifts of primarily nineteenth-century British and French paintings.
Simply installed in the Santa Barbara Museum of Art’s Photography Gallery, Stillness invites contemplation and introspection via a select and small group of beautifully composed and printed images.
Relevance is a common word these days for museums as they work to catch up with their audiences and the ever-changing world we live in, and one sure way to stay relevant is to acquire and display work by contemporary artists who are pushing the envelope with their ingenuity.
Made from a variety of materials: clay, wood, metal, stone, textile, and paper, these works provide a broad view of the artistic expressions and devotional practices in India and their development and transformation in the Southeast Asian countries of Thailand, Cambodia, Indonesia, and the Himalayan lands of Nepal and Tibet.
Portrait of Mexico Today is one of the only intact murals painted by David Alfaro Siqueiros while he was a political exile in Los Angeles in 1932.
The refreshed and newly configured Sterling Morton, Campbell, and Gould Galleries next to Ludington Court showcase a selection of works from China, Japan, and Korea, drawn from the Museum’s extensive permanent Asian Art collection and organized by SBMA Elizabeth Atkins Curator of Asian Art Susan Tai.
Newly installed in the Preston Morton and Ridley-Tree galleries are works such as Annie Snyder's Still Life: Basket of Grapes and Pierre Bonnard's Garden with a Small Bridge.